Inspiring interviews
With the ever-increasing number and quality of entries received by the Trust year on year, judging the Sandford St Martin Awards has become more and more of an immersive experience. Not least for our shortlisters who are charged with having to negotiate long lists of sometimes very different programmes, made for very different audiences with hugely varying budgets. Agreeing a final few for the shortlist is never an easy task and, what shortlisters tell me is that, even after the final list has been agreed, they’re often “haunted” by a programme that personally resonated with or inspired them but isn’t in the final running for an Award.
Such is the case with Bryony Taylor, a priest and the assistant curate at St Michael and All Angels Church in Houghton-le-Spring, who helped shortlist in this year’s Interview category. In a vlog, originally posted and which you can watch on her own website, Bryony drew inspiration from “A Thousand Words” with Iain Campbell, a programme made by GRF Christian Radio for the smallVOICE podcast.
Iain Campbell is a portrait painter and Artist in Residence at St George’s Tron Church of Scotland in Glasgow city centre. In this interview he talks about his painting ‘Our Last Supper‘.
Inspired, Bryony used the painting to inform her own meditation for Lent.
This is a painting imagining a modern day Last Supper – Jesus with his disciples around a table. The figures in the painting are the men that attend a homeless charity in Glasgow. Our images of Jesus and the disciples are often sanitised. We have images of men in long flowing robes with beards and halos walking around. In reality, Jesus based his ministry in the forgotten North East of a forgotten part of the Roman Empire. The back of beyond, literally. He chose as the people to spend his time with, those on the edge of the community. The people excluded by others. The poor fishermen scratching a living on the shores of Lake Galilee. A young man that was part of a terrorist cell seeking to resist the Roman occupation. A hated employee of the government, a tax collector. Not to mention various women, some of whom had a history of mental health problems, others who were wealthy widows who put the lads up when they were visiting from town to town.
Look at this painting.
Many people ask which one of the men is Jesus. But the artist deliberately left it unclear. Judas had to go over in the Garden of Gethsemane and embrace Jesus to let the guards know which one Jesus was; it wasn’t obvious which of them was Jesus.
Where do you see Jesus?
Do you see him in different places, in different people?
The artist chose to paint the Last Supper because Jesus said ‘Do this in remembrance of me’ – share a meal together to remember me. Don’t remember me in the isolation of the cross, all alone. Remember me among friends, around a table, enjoying food together. This is how I want you to remember me.
Our thanks to smallVOICE, Iain Campbell and Bryony for sharing their work with us. It’s worth knowing both that you can see the original of Iain’s painting at The Wild Olive Tree café in Glasgow and that Bryony is the author of the book ‘More TV Vicar?‘ a enthusiast’s romp through the annals of British television to discover what Christians on television say about our attitudes to religion and the religious.
The Importance of Being a Children’s Broadcaster
The Sandford St Martin Trust has been making annual awards for the best radio and television programmes about religion, ethics or spirituality since 1978 – so, by comparison, our Children’s Award is still something of a youngster. Ah, but what a precocious and forward-thrusting youngster it is! Last year’s judging panel was chaired by the writer and broadcaster Frank Cottrell Boyce. Below is the speech Frank delivered on that night – both a celebration but also a passionate argument for the importance of children’s broadcasting.
“I’d like to begin by thanking my fellow judges Rachel Moseley, Anna Bassi and David Hallam because we had such a great time! We had such a great time judging this list. Not just because all the work on it was so impressive but because there was something really rejuvenating and moving about seeing just how much ambition and creativity and commitment people had put into making these films. Long running series like Newsround which you can see really upped its game to deal with the Hiroshima story. And those little films that you saw from True Tube – people had really kind of stretched. You could feel how much they had stretched their resources and their imaginations to help young people deal with those big, big questions. We saw animation and dramatisation and historical testimony: huge palettes of techniques being brought to bear on these questions.
“When young people engage with questions like immigration, sexuality and their own mortality and morality, they’re not puzzling over intellectual questions, they’re building their own identities. And in doing that they are building the future identity of this nation. So huge praise is therefore due to the BBC who, among all the broadcasters, absolutely – to use a teenage phrase – “owned” this shortlist. The absence of the commercial broadcasters from it, I think, is depressing – but also really dangerous. I’m going to follow the Archbishop’s lead in quoting Simon Schama who said that our society offers our young people two options: shopping or extremism. And if our cultural arbiters vacate the field on which our young people wrestle with the great questions, then other forces will step in. These are questions which have to be answered. And if we don’t help young people grapple with the complexity of those questions, then there are other people who will cheerfully come along with murderously simple answers. To leave a gap in the schedule around this area is to leave a hole in our nation’s heart.
“Having said all of which both the winner and the runner-up celebrated the resourcefulness, the resilience and, most of all, the kindness of children.
Our runner-up gave one of the most heart-stopping moments of television I’ve seen in a very very long time. In the clip you’re about to see, Ella has just completed a sponsored run for her Grandad who is suffering from Alzheimers.
“Tonight’s winner, just like the runner-up, comes from the world of scheduled television. I love my podcasts. I love YouTube as much as anybody and I think that iplayer is one of the great wonders of the world. But the downside of choice is that it can also lead us to create our own digital safe spaces – so, God bless the Radio Times. I was emotionally ambushed by Ella’s Grandad and our winner, too, did that thing that really only scheduled television does best of all, which is to make you really care about something you didn’t really think about that much before. To put a human face on a big political story – and what a face! A boy named Ahmed who has swagger, and insight and eloquence and, above all, a bicycle. So I’m really really delighted to announce that the winner of this year’s Sandford St Martin’s prize for Children’s broadcasting goes to My Life: The Boy on the Bicycle which was made by Drummer TV for CBBC’s My Life. “